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Senses

Senses
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Tied by binds of fortunes
Discovering each other by feeling
the contours of withheld thoughts
My dear, would it matter to your
If my garb is of a particular taste?
Gagged by an unknown tides
Of overwhelming emotions
Naming you with hungry eyes
My dear, do I remain a stranger
If with a gaze I hail out for you, aloud?
Blinded by a ordained dazzle
Trying to recognise each other
In the depths of soul quest
My dear, would we need to stay silent
If we didn’t speak the other’s tongue?
Deafened by heartbeat's clamour
Hearing the tune of a timeless song
In the heady fragrance of your being
My dear, would it matter to the world
if we danced to the scent of desire?
Too far apart to touch
yet each caressing the other’s
Deeply nestled aches
my dear, would you still feel lonesome
If from here I sent my sighs as embrace?
- Abhijit
The original inspiration of this piece are Neel’s lines:
Tied by a blindfold,
Discovering me with your palms,
My dear, would it matter to your,
If I wear a particular colour?
Non sense?

She’s a familiar sight on my walks.
She lives out in the open, between two trees. It’s a place which definitely has ‘Home’ written all over it. Not much there, except that the mud is kept well swept and flattened, much like village huts.
There’s a small mud oven, with a clay cooking pot placed on it. Well not quite a clay cooking pot. Its one of those pots used to carry sweets, must have been discarded, now retrieved and refurbished; it served as the cooking vessel.
Small straight humps of mud form imaginary walls of sort, creating ‘rooms’ in the small patch of land hardly 4’x6’. There’s a room where she keeps all her possessions. Taken out, cleaned and then put back in order, daily. The house is kept spotlessly neat and clean. The other room is her bedroom. The bed is placed there, again immaculately and neatly.
The only difference between her and the other ‘normal’ people is...her possessions, bed, food...everything are leaves! She’s one of the city’s many mentally deranged.
And she’s careful about her possessions. She knows which leaf is hers and which isn’t. I’ve seen her cut and chop leaves meticulously and cook them with the same amount of care as any Cordon Bleau chef preparing a meal. I’ve see her put away a stash of leaf as carefully as any landed gentry wary of having one’s fortune robbed.
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There’s lot she’s telling us I think. In that patch of land she shows us even amidst a patch of grass one can build a home from what the land has to offer and survive. She shows how investing care into something not ‘owned’ can still make a home. Her attachment to leaves seem laughable but take away from us any of our own degradable and ephemeral possessions and see us rear up in outrage!
As I see the morning ambulators go past her in studied ignorance, I’m left thinking, it must suit our purpose to have her labelled as mentally deranged. That way we have a wall built in front of a mirror we might otherwise have to look into. I don’t think it would be a comforting feeling to recognise ourselves in her. How different is the home she has from the one we own? The words of Kahlil Gibran's Prophet came to mind:
Build of your imaginings a bower in the wilderness ere you build a house within the city walls.
For even as you have home-comings in your twilight, so has the wanderer in you, the ever distant and alone.
Your house is your larger body.
It grows in the sun and sleeps in the stillness of the night; and it is not dreamless.
Does not your house dream? And dreaming, leave the city for grove or hilltop?
Would that I could gather your houses into my hand, and like a sower scatter them in forest and meadow.
Would the valleys were your streets, and the green paths your alleys, that you might seek one another through vineyards, and come with the fragrance of the earth in your garments.
But these things are not yet to be.
In their fear your forefathers gathered you too near together. And that fear shall endure a little longer. A little longer shall your city walls separate your hearths from your fields.
And tell me, people of Orphalese, what have you in these houses? And what is it you guard with fastened doors?
Have you peace, the quiet urge that reveals your power?
Have you remembrances, the glimmering arches that span the summits of the mind?
Have you beauty, that leads the heart from things fashioned of wood and stone to the holy mountain?
Tell me, have you these in your houses?
Or have you only comfort, and the lust for comfort, that stealthy thing that enters the house a guest, and becomes a host, and then a master?
Ay, and it becomes a tamer, and with hook and scourge makes puppets of your larger desires.
Though its hands are silken, its heart is of iron.
It lulls you to sleep only to stand by your bed and jeer at the dignity of the flesh.
It makes mock of your sound senses, and lays them in thistledown like fragile vessels.
Verily the lust for comfort murders the passion of the soul, and then walks grinning in the funeral.
But you, children of space, you restless in rest, you shall not be trapped nor tamed.
Your house shall be not an anchor but a mast.
It shall not be a glistening film that covers a wound, but an eyelid that guards the eye.
You shall not fold your wings that you may pass through doors, nor bend your heads that they strike not against a ceiling, nor fear to breathe lest walls should crack and fall down.
You shall not dwell in tombs made by the dead for the living.
And though of magnificence and splendour, your house shall not hold your secret nor shelter your longing.
For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.
Like all others, as I continue with my morning walk lost in thoughts the realisation dawns, in my quest for resolution, the demarcation of derangement appears a lot more diffused.
- Abhijit
So cold

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the feel of chilly wind
cleaving flesh, kissing bones
and there burns parched
a single flame
a beacon to devastation
to set alight in pyromaniac a delight
all those who have remained un-scalded
by the singe of hate...a charter to fulfil
the devouring inferno has been burning long
alight, not of the soul
yet off the soul, scorching the being
there also burns a desire
for a discharge from this ever spinning
spiral of pain, a shout ‘release me’
the soot deposited over aeons now remains
yet caked eyes seek some parchment long burnt
of loving memories anonymous
so it’s cold today
as it’s always within been
all reasons proffered have been bought anon...
who now finds you?
- Abhijit
How many

the clamour within
reaches crescendo
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by the din
there only remains
the nervous throb in the being
each voice pulling
in separate directions
how many me's
reside within?
and if there are so many
who decides to latch on
who decides to let go
and who resolves in the end
which you is the true you?
- Abhijit
Time Traveller

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Was it me who moved?ffice
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Or was I still
Astride on spinning time?
as lives slipped past...
For so many times have I jumped
Into the air of existence
And splashed back into the sea
Of consciousness...
Somewhere out there
Life and death is mere gambol
And love, the only truth
Is the true time traveller
- Abhijit
Wayland : Kissing Dolphins
Stories that have touched me: The Boy who wanted to make rain

My life’s been guided by stories.
They popped up in the oddest of places. In some odd textbook, in some perchance story-telling, some comic read, nestled in a magazine...
And once read they have stayed or, was it that they merely reveal some truth deep within and have become indelible?
One such story I came across as a boy in class V, in one of our text books.
It was about a boy, who wanted to make rain (and at that point of time I hadn’t even discovered my affinity to the clouds).
He always looked up into the sky beseeching the rain gods to talk to him. And one day the rain god did hear his plea and came to him. The rain god asked of him what he wanted, and he said he very badly wanted to make rain. On being asked why he wanted to, the boy replied that his village had suffered droughts for a number of years and that if he knew how to make rain he could ameliorate the situation for his villagers. The Rain God then took him up gently onto his cloud and handed him a pot. It was a rain-making pot.
‘Be careful’ said the Rain God to him, ‘Go about on your cloud and where you see the land needing some rains, drop on that land a single drop from your pot. Where you find that there’s a great requirement of rain, at the most drop two drops. But never more than two drops!’
The boy agreed and went off on his cloud. He was assiduous about maintaining the commands of the rain god. Every where he went, he dropped a single drop, and saw the rains open up below him.
Until, his cloud finally drifted over his village. There, he saw the people in desperation. It had been three years since the village had had any rains. It was in the grip of a severe drought. Here was his chance to help out his villagers...but then there was the edict of the Rain God! To not give more than two drops!
Yet here were his own villagers devoid of any rainfall for three years! Now the Rain God had said two drops...but he hadn’t said how many monsoons’ he was to take into account? Adding up two drops for each of the year his village had missed monsoon, the boy promptly dropped six drops on his village and satisfied he went about completing his journey and task.
On returning back to the Rain God, as he returned the rain-pot the god queried of him if he had adhered to the instructions. Oh yes! He replied and beaming with satisfaction went off.
He approached his village and dreamt about how he’d be hailed as a champion. As he entered his village he saw devastation all around him. He enquired on what had happened... ‘Oh the Rain Gods went crazy this time. It rained so much that it rained continuously for six days and six nights. There were great floods and wiped out a lot of villages and properties, ruining everything!’ – the villagers lamented.
The boy who had just ridden the rain clouds was at once contrite! If only he had stuck true to the rain god’s instructions!
How much is the right amount to give?
Could it be that one could give another so much love, for they have seen the other parched and drown them instead of saving them? I’m reminded of the survivors of the holocaust who had starved for long periods when suddenly fed by the Allied liberating forces, died due to over feed!
Two friends, who’s opinions matter too me, told me recently:
You have never learnt people management...that you should handle each one the way he/she should be and not the way you think is right dish in? Just what the other person can digest nothing more, nothing less...
the other said: Maybe you should think or feel what it’s like being in their shoes. Maybe you should let them be...and let them come to their own realisation...
What was being discussed here were my desire to give...my views or rather my exposition of them...can’t call them my views, as they seem to flow more through me, than from me, and are meant for the person who’s hearing it. Calling them utterances would be more fitting.
Depending upon the source its coming from (I guess I could call it clairvoyance and clairaudience) it can be pretty abrupt, undiplomatic and undiluted. I rarely try to either judge the message or try to interpret or dilute it, as I’m only the medium. However when the messages land up they do cause some amount of turmoil when the expectation was that it would soothe. And that can be unpleasant for many. So do I stop ‘giving’? And who decides what’s the right amount to give?
Like the boy of the story I wonder if there’s a ‘right’ way of giving? What is the adequate measure which suffices for another? There’s a lot of wisdom in what my friends have suggested to me. The only point is I never have desired to manage people, nor in any way benefit from them...at least not consciously.
Why is it that when I see others dashing against objects with a blindfold on, all I want to do is help them take it off, as its not their natural condition...not any of our natural condition and when light hits their eyes and they react from pain which is but natural, I’m not ready for it?
While the boy will always be guilty of having dropped the extra drops which caused the deluge, will the villagers admit that they themselves from deep within had cried out for the deluge, never thinking about the consequences, and the boy, for as he could talk to clouds...he could also hear the din of their thoughts and merely complied?
What is the pain that people are afraid of?
Whichever way one’s to look at it, I guess there’s a lot of travel which I’ll have to do...discover and realise the wisdom in my friend’s suggestions and yet be true to my destiny. Possibly there’s yet the knowledge of Gods to be attained. The right way to give will be one centred on love...yet so many times we take fear for love. But is there also a right way to ask? To take?
I guess I'll talk about pain and the main reason of this post...my destiny number in a later post.ffice
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I now know why
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From a celestial flow
To a terrestrial river made to be
And some stories of love that come about
Blossom...yet are never meant to be...
For it's not enough
For love to flow in a torrent
To irrigate and create
It need also be held...and withheld
To create cumulative miles
Of life flow...
It's not merely for one
To give in a deluge,
For a gush is not for all to receive
Were trickles to suffice
Would you inundate with down pour?
A thirst seeking quench
May very well drown
For a gift of gusto...
It's a art to give
as it is to receive
And it takes artists
To qunch from a tricklee
Or bring about
A river to be
- 19th Feb 2005